Salary: The starting salary will be from GBP 28,936 within the Grade E band (GBP 26,495 – GBP 33,518), depending on qualifications and experience.PackageGenerous holiday allowances, flexible working, pension scheme and relocation package (if applicable).
Job category/type: Academic
Job description
College of Humanities
This part time post is available from 1st November 2017 on a fixed term basis for 1 year.
The post
The College wishes to recruit a Postdoctoral Research Associate to support the work of Dr. Rebecca Williams. This part time (60% FTE) Academy of Medical Sciences funded post is available from 1st November 2017 to 31st October 2018. The successful applicant will work on the project ‘Population Control and the Emergency in India: The Shah Commission Regained.’ Continue reading “Call for Applications: Postdoctoral Research Associate”→
The 70th anniversary of the end of Britain’s Empire in India and the birth of the post-colonial states of India and Pakistan have led to a renewed interest in the portrayal of this distant and under-explored past in British arts and the media.
It does not always make for good history. In the stories told on film, radio and television – from the film Viceroy’s House, to BBC One’s My Family, Partition and Me: India 1947 and Radio 4’s Partition Voices – complexity and context are downplayed in favour of “British” stories of colonialism, anti-colonial movements and partition violence.
History is to be communicated through genealogies of the great and the good – of news correspondents, movie directors and radio presenters introducing the audience to their unknown and often unremarkable forebears. The social histories touched upon are never fully communicable because of the desire to avoid reflecting upon the wider political and cultural contexts in which these individuals lived and breathed. Continue reading “No dogs, no Indians: 70 years after partition, the legacy of British colonialism endures”→
Unknown artist, Indonesian propaganda poster, Sumatra May 1947. From the archive of the NEFIS (Dutch intelligence service), courtesy of Nationaal Archief
Christiaan Harinck, Nico van Horn, and Bart Luttikhuis
Seventy years after the fact, the decolonization war in Indonesia still does not occupy an appropriate position in Dutch public memory. The absence of Indonesian victims in Dutch memory culture makes this painfully obvious: until now, no one has ever even attempted to calculate the Indonesian death toll of this war. Christiaan Harinck, Nico van Horn, and Bart Luttikhuis provide a first attempt, counting 97,421 Indonesian casualties in Dutch military sources – most likely the lower limit rather than a final estimate of the actual death toll.
The Indonesian decolonization war of 1945-1949 has re-entered Dutch public consciousness in recent years. For many decades, the war had only a very cursory presence in Dutch public memory – even though it is one of the largest military operations the country was ever involved in. But in the wake of a number of successful court cases in which Indonesian victims (aided by Dutch activists) forced the Dutch state to pay compensation, Dutch media and politicians over the last decade have gradually started talking about this war again. This has culminated (for now) in the announcement of an extensive government-funded research project. The war in Indonesia is also starting to make more frequent appearances in Dutch popular culture, with the novel Tolk van Java by Alfred Birney recently winning the prestigious Libris prize, and an action movie by popular director Jim Taihuttu announced, which is to be set in the context of the brutal Dutch counterinsurgency campaign in South Sulawesi.
Among all this new interest for the war in Indonesia, the principal focus has been the extent to which Dutch forces committed atrocities against Indonesian civilians and combatants. That atrocities such as summary executions, torture, widespread arson, etc., were a structural part of Dutch military practice has been well documented. But surprisingly, despite all this attention upon Dutch atrocities, the Indonesian victims remain hidden. Dutch historiography and Dutch public memory continue to enjoy a highly Eurocentric view on the war in Indonesia. More than ever before, the black chapters of Dutch history can now be discussed. But still, the public debate is highly inward-looking. The main interest is in ‘our’ atrocities in the colonies, in ‘our’ guilt and what ‘we’ should now do about it. Meanwhile the other, the Indonesian, is still no more than an extra on the stage of Dutch history, lacking a face or and autonomous historical agency. Nowhere is this absence of Indonesian faces more obvious than in the absence of Indonesian victims from Dutch memory culture. We haven’t even had a reliable estimate of Indonesian casualties during the decolonization war – until now. Continue reading “Do the Indonesians count? Calculating the number of Indonesian victims during the Dutch-Indonesian decolonization war, 1945-1949”→
Mihkel Ram Tamm (centre), Estonian philosopher and expert on Sanskrit, yoga and meditation, became a guru for many hippies in Soviet Estonia and elsewhere in the USSR. This photo appears in the documentary film Soviet Hippies, directed by Terje Toomistu. Photo: Courtesy of Vladimir Wiedemann.
Jennifer Grove and Kate Fisher University of Exeter
Last month we were joined at Exeter by Professor Philippa Levine from the University of Texas at Austin who spoke to us on “Slavery and the Aesthetics of Abjection”. This was a seminar organised by the Centre for Imperial and Global History and the Sexual Knowledge Unit, with support from Global Engagement and Development.
Philippa, who is currently the Walter Prescott Webb Chair of History and Ideas at UT Austin, will be known to many for her wide-ranging work on the nineteenth and twentieth century history of imperialism, gender, sexuality, prostitution, medicine, eugenics and the professionalization of the study of the past. Her new project which she discussed with us is exploring the eighteenth and nineteenth century history of nakedness. In this paper she focused on nakedness in images of slaves and slavery, drawing particularly on the visual record of enslavement. For Levine such images draw on what she terms an aesthetics of ‘abjection’, and she charted the various visual markers of marginality and loss. Continue reading “Podcast – Slavery and the Aesthetics of Abjection – Philippa Levine”→
