The statuesque, the imperfect female body and fun in the archives

Nandini Chatterjee
University of Exeter

Cross-posted from Cast in Stone

I finally found time in January this year 2024 to take myself to Reading, to explore the Tweed archive, the collection of private papers, sketchbooks and artefacts deposited by the daughters of the sculptor John Tweed in Reading Museum in 1968. I received a wonderful welcome from the art curator and her team, as she gave up an entire day in order to accompany me to the museum store and literally walk me through the materials. This of course, is the reality of research in smaller, regional archives and museums, there is rarely dedicated staff available to facilitate research and access depends on the generosity of very busy staff with many other things to do. However, when one does secure the time of such colleagues, the depth of knowledge that they can offer about the area is a resource in its own right.

In our Cast in Stone database, which is actively in development, John Tweed stands out as the most prolific sculptor of colonial statues; within England, he is known to have sculpted twelve prominent statues of individuals who were colonial officials or British statesmen closely concerned with imperial or colonial matters. He may indeed be associated with further statues in Scotland and Wales, but we are not aware of this so far. Indeed, in a splendid thesis turned book, Nicola Capon called him the ’empire sculptor.’

Continue reading “The statuesque, the imperfect female body and fun in the archives”

“Going Native” with Dune’s Paul Atreides

This is the newest post kicking off the third week of our roundtable on science fiction and imperial history, co-edited by Marc-William Palen and Rachel Herrmann. You can read our call for posts here, and the other posts in the series here, here, here, and here. Posts will run twice a week until the second week in July. We look forward to hearing your thoughts!

Toby Harper
Arizona State University

During the day in the mid-2000s I took classes in imperial history. On Friday and Saturday nights I descended to the basement of the student center at the University of Auckland to take part in an intense, desperate, and sometimes violent feud with five friends over control of the planet of Arrakis through Avalon Hill’s legendary strategy board game, Dune.

The board game was released in 1979, the same year as Edward Said’s Orientalism. These sessions extended long into the night (the game can take ten hours to complete) and both tested and forged friendships as we schemed with, tricked, and betrayed each other. At the time, I didn’t consider any connection between my history classes (or even discussions about Said with the same friends) and these nocturnal contests. In hindsight, though, the source material for the game, Frank Herbert’s 1965 novel, Dune, built on nineteenth- and twentieth-century imperial fantasies of knowledge, control, and power.[1]

On the surface, the novel Dune fulfills a popular imperialist fantasy by granting its main character mastery over native “others” whose superstition and history makes them comprehensible and exploitable. However, it is also a book of schemes, assassination, betrayal, hidden motives, and unexpected consequences. Like the novel’s main antagonists, this fantasy ends stabbed and poisoned on the floor of a broken palace. In certain ways, Herbert’s embrace and subversion of orientalist tropes around knowledge even anticipated modern critiques of empire. Continue reading ““Going Native” with Dune’s Paul Atreides”

Asterix the Gaul – Colonial Freedom Fighter or Neo-Imperialist?

Richard Toye

Asterixcover-asterix_the_gaulWhat might a historian of modern empire uncover within the long-running cartoon book series, Asterix the Gaul? Orientalism, French cultural anxiety about American neo-imperialism, and fears of cultural corruption in the face of the forces of global commercialism, of course.

The new Asterix volume, Asterix and the Picts, is not only the first in the series to be drawn/written without the involvement of either of the original creators, Rene Goscinny and Albert Uderzo; it has also led reviewers to wonder whether it can be seen as commentary on Scottish nationalism. Continue reading “Asterix the Gaul – Colonial Freedom Fighter or Neo-Imperialist?”

Orientalism and its Legacies: New Talking Empire Podcasts

SaidOrientalismRichard Toye

Edward Said (1935-2003) was one of the foremost intellectuals of the Twentieth Century. Heavily influenced by the French philosopher Michel Foucault, his work spanned the fields of literature, history, and post-colonial studies. He was a controversial figure, and none of his work is more debated than his landmark 1978 book Orientalism. Said recast this term so that it referred to the structures of knowledge – or rather discourse – through which Westerners constructed the image of the East. Continue reading “Orientalism and its Legacies: New Talking Empire Podcasts”